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LITERARY ART AS A VEHICLE FOR THE DIFFUSION OF CULTURAL IMPERIALISM IN THE NIGERIAN SOCIETY: THE EXAMPLE OF CHIMAMANDA ADICHIEâ€™S PURPLE HIBISCUS

Authors: ADAM Ezinwanyi

Publication Type: Journal article

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Abstract

This paper takes a cursory look at the conceptual framework of what cultural imperialism entails with particular study of its socio-political consequences in contemporary Nigerian society, and a closer look at the transportation and importation of western cultural values and the implantation of same in Nigeria thereby almost completely eclipsing the hitherto African cultural conservatism of the Nigerian State. Clear examples of this cultural transplant are given in this work, including but not limited to the use of English language in place of the indigenous languages for communication even when there are no foreigners, smoking of cigarettes, ladies putting on trousers, abortions as a means of birth control, free premarital and extramarital sexual relationships, homosexuality and gay practices â€“ all which were an anathema to Nigeriaâ€™s cultural values have supplanted the traditional conservatism of the Nigerian people. This work particularly looks at Chimamanda Adichieâ€™s Purple Hibiscus and distills classical cases of cultural imperialism. Adichie through the character Eugene, captures cultural imperialism as seen in the life of this vastly brainwashed â€˜been-toâ€™ who is clearly portrayed as an imperial lackey, capitalist and apologist. Also, the character of Rev. Father Benedict, a Briton, that wouldnâ€™t want to hear any indigenous songs in St. Agnes Parish. The work also captures cultural imperialism in the ironical contempt with which the catholic devotee, Eugene, treats his own father, Papa Nnukwu, steeped in the traditional African cultural values, viewed by Eugene as Godlessness. The essay concludes by identifying the cultural crises that cultural imperialism creates in the Nigerian State, and recommends ways of diluting and diffusing the present cultural imperialism as a solution to the myriad of socio-political crises currently experienced by the Nigerian society.

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ADAM,E. . (0000). LITERARY ART AS A VEHICLE FOR THE DIFFUSION OF CULTURAL IMPERIALISM IN THE NIGERIAN SOCIETY: THE EXAMPLE OF CHIMAMANDA ADICHIEâ€™S PURPLE HIBISCUS, 0 (), 0-0.

ADAM,E. . "LITERARY ART AS A VEHICLE FOR THE DIFFUSION OF CULTURAL IMPERIALISM IN THE NIGERIAN SOCIETY: THE EXAMPLE OF CHIMAMANDA ADICHIEâ€™S PURPLE HIBISCUS" 0, no (), (0000): 0-0.

ADAM,E. and . (0000). LITERARY ART AS A VEHICLE FOR THE DIFFUSION OF CULTURAL IMPERIALISM IN THE NIGERIAN SOCIETY: THE EXAMPLE OF CHIMAMANDA ADICHIEâ€™S PURPLE HIBISCUS, 0 (), pp0-0.

ADAME, . LITERARY ART AS A VEHICLE FOR THE DIFFUSION OF CULTURAL IMPERIALISM IN THE NIGERIAN SOCIETY: THE EXAMPLE OF CHIMAMANDA ADICHIEâ€™S PURPLE HIBISCUS. 0000, 0 ():0-0.

ADAM,Ezinwanyi , . "LITERARY ART AS A VEHICLE FOR THE DIFFUSION OF CULTURAL IMPERIALISM IN THE NIGERIAN SOCIETY: THE EXAMPLE OF CHIMAMANDA ADICHIEâ€™S PURPLE HIBISCUS", 0 . (0000) : 0-0.

A.Ezinwanyi , "LITERARY ART AS A VEHICLE FOR THE DIFFUSION OF CULTURAL IMPERIALISM IN THE NIGERIAN SOCIETY: THE EXAMPLE OF CHIMAMANDA ADICHIEâ€™S PURPLE HIBISCUS" vol.0, no., pp. 0-0, 0000.

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