Mobolanle Sotunsa is a professor of African Oral Literature and Gender Studies at Babcock University, Nigeria. She was a visiting scholar at the School of African and Oriental Studies (SOAS), University of London and a visiting professor/scholar in residence at the African Studies Institute, University of Georgia. Sotunsa served as the Head of Department of Languages and Literary Studies Department at Babcock University from 2006 to 2009. Sotunsa is the coordinator of Gender and African Stu...
A Motherist Evaluation of Binwell Sinyangwe’s A Cowrie of Hope View Details
Fatherhood: A Portrayal of Single Parenthood in Helon Habila’s Measuring Time View Details
Traumatic Experiences of Asian Child Labour Victims in Boys Without Names View Details
Travails of African Children in Faceless View Details
Feminism: The Quest for an African Variant View Details
Yoruba Drum Poetry and the Theatre View Details
“African Oral Literatures and Digital Orality: Prospects and Challenges” View Details
Drum speaks, Man Chants: Aesthetic Evaluation of Drum Poetry Performance View Details
Literary- Semiotic Analysis of Yoruba Drum Proverbial and Idiomatic Expressions View Details
Gender-Role Schema: A Comparative Study of Selected African and Afro-American Plays View Details
Characterization in Contemporary Nigerian Female Fiction: A Study of Behind the Clouds and Ordinary Woman View Details
GenderCultureandDevelopment in Africa View Details
Women in Africa: Contexts, Rights, Hegemonies View Details
Imagining Vernacular Histories: Essays in Honour of Toyin Falola View Details
Expressions of Indigenous and Local Knowledge in Africa and its Diaspora View Details
Emerging Discourses on the Future of Higher Education in Africa View Details
Evolving Discourses in Language, Literature and Pedagogy View Details
Fieldwork in Nigerian Oral Literature View Details
Yoruba Drum Poetry View Details
From Theory to Practice: Advanced Literary Text Analysis View Details
Landmark and New Essays in Literary and Linguistic Theory and Criticisms View Details
“Drum Language and Literature” in The Palgrave Handbook of Oral Traditions View Details
Women and Children as Victims of War in Tadjo’s Shadow of Imana View Details
Perormance and Theatricality in the Ebibi Festival of Epe in Lagos State View Details
Performance Patters of Yoruba Drum Poetry View Details
African Women in Drumming: The Art and Performance of Ayanbinrin View Details
Portrayal of Homosexuality in Jude Dibia’s Walking with Shadows View Details
Educated Women, Marriages and Families: a Study of Ama Ata Aidoo’s Changes View Details
Exploiting Resources of Yoruba Drum Poetry for Contemporary Global Relevance View Details
The Illusion of Male Archytype: A Comparative Study of Irene’s More than Dancing and Pearl’s Flyin’ West View Details
Feminism and Gender Discourse: The African Experience View Details
Girl Trafficking in Edo State, Nigeria View Details
Globalizing the Gender Discourse: A Synthesis of Indigenous African Women Theories View Details
“Modernist Trends in Dambudzo Marechera’s The House of Hunger and Black Sunlight” View Details
Literature as a Tool for Combating Girl Trafficking in Nigeria View Details
Social Humiliation and Psychological Castration in Irene’s More Than Dancing View Details
Balancing Work, Family and Social Life: The Effect of Gender and Family Responsibilities on Job Performance of Female Professors in Nigerian Private Universities View Details
‘Writing a Research Paper' View Details
54. Transcending Generational Poverty: The Biography of Deacon Olusegun Atere View Details
It's important to note that this is a simplified calculation and doesn't take into account compounding, fees, or other factors that might affect the actual return on your investment. If there are fees or the return is compounded, the actual return may be slightly different. Always consider all the terms and conditions of your investment to get a more accurate picture of your returns. It's important to note that this is a simplified calculation and doesn't take into account compounding, fees, or other factors that might affect the actual return on your investment. If there are fees or the return is compounded, the actual return may be slightly different. Always consider all the terms and conditions of your investment to get a more accurate picture of your returns.
It's important to note that this is a simplified calculation and doesn't take into account compounding, fees, or other factors that might affect the actual return on your investment. If there are fees or the return is compounded, the actual return may be slightly different. Always consider all the terms and conditions of your investment to get a more accurate picture of your returns. It's important to note that this is a simplified calculation and doesn't take into account compounding, fees, or other factors \that might affect the actual return on your investment. If there are fees or the return is compounded, the actual return may be slightly different. Always consider all the terms and conditions of your investment to get a more accurate picture of your returns.
It's important to note that this is a simplified calculation and doesn't take into account compounding, fees, or other factors that might affect the actual return on your investment. If there are fees or the return is compounded, the actual return may be slightly different. Always consider all the terms and conditions of your investment to get a more accurate picture of your returns. It's important to note that this is a simplified calculation and doesn't take into account compounding, fees, or other factors that might affect the actual return on your investment. If there are fees or the return is compounded, the actual return may be slightly different. Always consider all the terms and conditions of your investment to get a more accurate picture of your returns.
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